Photography School Reviews

“Any good photography is a successful synthesis of technique and art.” – Andreas Feininger

This article will attempt to help you come to a clearer understanding of the photography schools and colleges available, what they can offer you in terms of photo and arts education, and guide you towards investigating more about specific schools and where you can find out more information.

Photography SchoolsPhotography is a wonderful choice when it comes to a career. Photography is a versatile path that allows you to specify within the degree, and move from different types of photography within your lifetime. From magazine covers to exotic locations to local newspapers, a career in photography will allow you to pick and choose exactly what you want to photograph. However, a career in photography doesn’t happen with well wishes and hopes…you have to work to get there! So where do you begin in your search for photography schools? Right here!

You’ll have to learn about the photography business, learn how to deal with copyright issues and information, manage your photo porfolio and how to work with others in the field. There are many courses in the field of photography taught at many of the schools, teaching you in a variety of areas including:

* Photographic equipment

* Photographic processes

* Photograph techniques

* Color theory

* Special skills

* Digital imaging and photo processing

There are many many more fields available when it comes to your career path in photography, the above were simply some examples.

If you’re passionate about photography and want to pursue this versatile career, it’s important that you take the time to learn from experienced professionals that can guide you in your efforts to pursue professional photography, motion picture and video photography, visual journalism, and thinks like visual communications. What’s great about attending photography schools nationwide is that you dont’ have to begin an expert, you begin a beginner! Many of you are pursuing this field because you have a natural eye for photography, and that’s great – but maybe you’re just developing one. That’s great too! What you probably didn’t know is that photography school will teach you much more than simply how to snap a few brief pictures and dip em in developer. They teach you the scientific processes of film, chemistry, optics, color theory, lighting rations, and digital and computer skills.

You’ll also find colleagues and students at your school that share your passion, talents, and skill and want to join in mutual efforts to further your careers. Here are a few photography school frequently asked questions that might help you!

* What is the objective of many photography schools?

* What types of photography might I choose to go into?

* What type of school should I look for?

* What are some of the top schools in the US?

What is the objective of many photography schools?

The objective (or the objective I believe is crucial to selecting a school) of many is to develop photographers that are technically and professionally sound, enabling them to pursue any photographic field and compete in the job marketplace.

What types of photography might I choose to go into?

There are many different types of photography fields, including fasion photography, digital photography, advertising photography, editorial photography, documentary style, wedding photography, portrait photography, or photo technician style work. You’ll be prepared to do any of these with a solid education at a photo college or school.

What type of school should I look for?

My recommendation is a school that teaches nothing but photography! Obviously affordability is important, but a photo only institute is a great way to go!

What are some of the top schools in the US?

There are several wonderful photography schools, but some of ones we’ll choose to highlight are Brooks Institute of Photography and the Art Institute of Colorado. For a more detailed list of Photography schools and information, please click here or continue browsing this article.

Brooks is a world leader when it comes to visual arts and photographic education. You’ll want to find a photography school that helps to meet career oriented needs that you establish before you search. You’ll want one with experience in the field for a long period of time, not just a hokey internet college.

You want want that can offer you a chance to broaden your resume through internships and opportunities. The joy of this career is that you get to turn your photographic ambition into something that pays the bills and you love to do every single day! Who wouldn’t want that! I hope this article has proved even a little helpful, and that you’ll consider going into the wonderful field of photography!

Careers to Pursue in Photography

People take pictures for a number of reasons. Some people click photos to capture memories while some click photos as it is their hobby. It depends on person to person how they look upon photography. Nowadays people upload their photos on the social networking sites. There are many education centers which teach you the basics of digital photography nowadays. But many people do not know that photography is a very good option for building their career. Suppose you get a diploma degree in photography, do you know what the next step you need to take is? The next step is you need to search for a job. There are many scopes of jobs as a photographer. All the photographers who are ambitious to gain success must know about the scopes of photography. The photographers join a job in order to apply their special skills and then master them.

Freelance photography

For starting a career in photography freelancing is the best way. A lot of people start their career as freelancers. The meaning is that they do not work under any company. They work for their own. They cater the need of as many clients as they want. You go around to the business companies and get the details of the work. You can opt for freelancing when you want to do photography as a secondary income. You can pursue seasonal activities like wedding photography or photography of festivals. They can work either full time or part time according to their wish. Nobody can dominate the freelancers. For this you can choose the best digital camera under 500 dollars.

For media house

Photographers can do the photography for newspapers, magazines and media houses. They can also pursue the career of photojournalism. They can do fashion photography for magazines. There are many scopes of photography for example

• Outdoor photography,
• Still life photography,
• Sports photography,
• Portrait photography,
• Nature and wildlife photography etc.

Advertising photography

When you have gained much experience in this area, you can do photography for advertising. Big companies hire you to click photographs for the advertisement of their photos.

Fine art photography

You can also opt for the profession of fine art photography. You can shoot the various elements of nature. These are generally set up in exhibitions and fests.

You have a lot of scope in photography careers. You must know how to choose the best digital camera for your work.

Benefits Of Trick Photography and Special Effects Photographs

Photographs are amazing keepsakes alone, but there are special techniques which can enhance and spice up your pictures, making them even more unique. You do not have to be a professional photographer to use special effects or trick photography.

Even beginning photographers can shoot really amazing pictures that will require a second look. Learning these techniques is simple when you know the basics of photography, and the creative possibilities using the various techniques are endless. Here are just a few of the benefits offered by special effect photography.

Beginning Photographers Can Learn – You do not need to be a professional photographer to use effects or trick photography. It does however help to know the basics of photography such as shutter speed, aperture, and film speed. If you know the basics of photography and have adequate practice using your camera, then learning to do special effect photography is just learning the techniques used.

No Expensive Equipment Necessary – You can achieve special effects and trick photography techniques without spending excessive money on equipment. Any camera can be used if you know the special effects photography techniques.

Adds A Personal Touch To Photographs – If you want a photo to stand out, special effects and trick photography is the way to achieve this. Photographs which start conversations or require a second look, are just more fun to view sometimes, and with a little effort and practice, you can take the pictures everyone wants to see again.

Unleashes Your Creativity – Using your creativity through photography is exciting. You can capture a moment with time-lapse photography, or see the entire view through panoramic photography. Light painting can give your pictures a surreal look, and steel wool photography can make your pictures light up with sparks. You can capture the tiniest details with macro photography, and add more vivid color and detail using High Dynamic Range (HDR) photography. The possibilities and combinations are endless, and only limited to your imagination.

Adds The Wow Factor To Photos – Adding these effects to your photography can be a conversation starter, or bring out details that the human eye cannot see. They can be shot for your own personal satisfaction, or for a certain event. If you want people to look at your photos in awe, this area of photography is an element to use. You may just spark an interest in someone else who would like to try using the techniques.

If you are bored with looking at the same photographs, and want to make them more unique, special effects and trick photography is simple to learn. Not only will it increase the use of your creativity, but it will also improve your photography skills by using the camera on various settings and in various environments.

Special effects and trick photography is not a secret photography method that only professionals know and use. Anyone with an interest in photography, who has the most basic photography skills can achieve brilliant and eye-catching shots with practice.

Creativity is part of the total photography process, and with special effects, you can show off your creativity to friends, or to the world and be proud of the amazing photographs that you have taken.

Wedding Photography Lenses That Every Photographer Can’t Do Without

There are generally four kinds of photography lenses that every wedding photographer should have in his or her gig bag:

  • Wide-Angle Zoom
  • Wide-to-Telephoto Zoom
  • Image-Stabilized Telephoto Zoom
  • Prime/Portrait Lenses

Wide-Angle Zoom

Wide-angle zoom lenses are one of the most important photography lenses that every wedding photographer should have, typically 17mm to 35mm in length with a fixed aperture of f/2.8. They provide a large depth of field, making it simple to have foreground and background in focus. They are an indispensable wedding photography equipment which allows versatility in confined areas such as a small banquet room or crowded dance floor. While shorter photography lenses allow you to capture more details, wide-angle zoom lenses allow you to capture more reactions and atmosphere to tell a richer story.

To elaborate further, wide-angle zoom photography lenses allow you to shoot a wider perspective of moments happening around the major subject, hence providing a bigger picture of the entire event. For example, wide-angle photos have the capability to tell “stories within a story”, allowing you to reveal more of the story behind the shot. This is essential for a good photojournalistic wedding photography. As events surrounding weddings are so time sensitive, good photography lenses will allow you to capture as many actions or emotions in the quickest time as possible.

When used in a venue such as the church or ballroom, wide-angle zoom photography lenses also magnify the grandeur and spaciousness of the area, which encapsulates the creative feel for a photojournalistic wedding photography.

However, you need to be selective of the scenes or actions using wide-angle photography lenses, as a caveat to shooting wide is that it creates some body distortion, particularly when a subject is photographed close-up. Generally, people tend to look heavier and shorter on the edges, while arms can look huge. The last thing you want is to have the bride cursing you for making her look like she has put on 10 pounds! To get around this problem, you should as far as possible avoid putting the bride and groom at the edges of the wide-angle distortion. In addition, wide-angle photography lenses might also introduce distracting or unwanted elements into the frame, which would otherwise ruin a picture perfect moment.

Wide-to-Telephoto Zoom

Wide-to-telephoto lenses are the single most important photography lenses that a wedding photographer cannot do without. They should ideally be lenses that cover somewhere around the 20-70mm focal length range with an aperture of f/2.8. This ideal range lets you get wide enough to take a group photograph and close enough to capture facial emotions in your candid shots or a three-quarter portrait of a couple without the undesirable effects of wide-angle perspective distortion. They also double as good lenses for portraits. Given just this lens, you would be able to capture most of the shots needed for a wedding decently well.

Image-Stabilized Telephoto Zoom

Image-stabilized telephoto zoom lenses are also essential items in your wedding photography equipment checklist. The 70-200mm focal length is an important range for wedding ceremony photos. It allows you to give your subjects more space in situations where you don’t want to get in the way. As you will often be photographing down the aisle from the back of the church, image-stabilized telephoto zoom lenses will come in very handy. 200mm is long enough to be able to take 3/4 length images of the bride and groom exchanging their vows while staying at a reasonable distance away from the action and 70mm is wide enough to take in the bridesmaids or groomsmen as a group without switching photography lenses.

A good point to note is that when using such photography lenses, nice blurred background can be achieved with maximum wide apertures of f/2.8 and long focal lengths of 200mm or 300mm, whether you are using a full-frame or a small sensor body. This allows you to isolate the subject from its background, and to focus attention on the image as the main subject you want to portray. Such photography lenses are especially useful for shots where you are unable to get in close and for intimate and private moments, where you want to be an unobserved stranger at a distance. Some examples include a stolen glance, a mischievous grin, a kiss – the details that are effectively conveyed by the emotions. Image-stabilized telephoto zoom photography lenses hence play an important role in capturing such moments.

These image-stabilized telephoto zoom photography lenses aren’t only good for blurry backgrounds or shooting events from a distance. They could also be used to photograph stunning facial close-ups from creative angles above or below the subject that don’t exhibit the normal distortions of large chins or shrinking heads that come from wider photography lenses.

Yet another advantage of such photography lenses is that you can use the small-sensor camera’s 1.5x crop factor to your favour. The 200/2.8 long end of the standard zoom effectively becomes 300/2.8, a lens that would cost $4000 for a full-frame camera. The effective 300mm length allows for more creative photo angles than shorter photography lenses, such as tightly cropped images of the groom’s hands lifting the bride’s veil or the bride and groom’s hands while they put rings on each others fingers.

The obvious disadvantage of image-stabilized telephoto zooms is that in many cases, long photography lenses tend to disconnect the subject from the main scene and there might be little to no context as to why the subject may have had expressed how they were feeling, the whereabouts of the subject and who else was there.

When using a small-sensor camera as your primary or backup body, the other disadvantage of image-stabilized telephoto zoom lenses is that neither Nikon, Canon or Sony make an f/2.8 lens that gives you an effective 70-200mm focal length. Hence, you would have to pay the high price and carry the weight of photography lenses designed for a full-frame camera.

Canon’s Image-Stabilization, Nikon’s Vibration-Reduction and Sony’s SteadyShot INSIDE systems are indispensable in allowing you to hand-hold these large and heavy long photography lenses, especially in low light situations. Every wedding photographer should ensure that the image-stablization and vibration-reduction features are available on their long lenses. You might also want to consider using a tripod to ensure continuous, accurate subject placement and sharp photos. Such telephoto zoom photography lenses are huge investments and if you have a budget constraint or an amateur just starting out, you might want to consider rental instead.

Prime Lenses

Prime lenses are essentially photography lenses with fixed focal lengths, as opposed to zoom lenses, which have variable focal lengths of say 24-70mm or 17-55mm. Prime lenses generally have a better optical quality than zoom photography lenses, and usually come with wider maximum apertures such as f/2.8 or f/1.8.

Good prime lenses are must-have photography lenses for any wedding photographer, as they are excellent for taking good portraits. Although you will be adequately equipped for a wedding shoot with the three zoom lenses in your lens kit as discussed above, it is worth including two to three fast prime lenses in your bag as well. These photography lenses are compact, light, and fairly inexpensive and would probably be needed in about 10 to 20% of a wedding shoot.

Faster prime photography lenses are ideal in situations where f/2.8 aperture is not enough to get the motion-stopping shutter speed or shallow depth of field desired, whether for artistic or technical reasons. For example, an image that requires a 1/20th of a second shutter speed at f/2.8 will only require 1/60th of a second at f/1.8, forming a distinction between a sharp image and a blurry one. Many professional wedding photographers actually include prime lenses in their gig bags as an economical backup to their zoom lenses. Not many people could afford to purchase an additional 70-200mm f/2.8 telephoto lens as a backup and you also want to prevent a frantic situation whereby your photography lens fails on you during a crucial moment.

There are many prime lenses available on the market but most photographers would include a 28/1.8, 50/1.8, and 85/1.8 in their prime photography lenses kit to be used on a full-frame body. The 28mm is wide enough to cover most ceremony locations and confined spaces, the 50mm is good for small groups or a priest blessing a couple, and the 85mm is long enough for ceremony vows and exchange of rings. A wedding can be successfully photographed with just these three photography lenses.